Dr Martine Turgeon's HomepageResearch InterestsAuditory perception; cross-spectral grouping; auditory stream segregation; temporal resolution and integration; rhythm perception and production; neuropsychology of sequential event analysis; auditorily-guided action; sensorimotor synchronization, temporal attention; timing error monitoring and correction; audio-visual temporal integration; social bonding function of shared rhythms. Populations of interest: schizophrenics, frontal and parietal stroke patients, musicians, neurologically-intact elderly adults, deaf children. Publications | Turgeon. M., and Wing, A.M. (under review). Late onset of age-related decline in unpaced tapping with no age-related decline in phase-shift error detection and correction Psychology and Aging, , . |
 | Plack, C.J., Turgeon, M., Lancaster, S., Carlyon, R.P., Gockel. H.E. (2011). Frequency discrimination duration effects for Huggins pitch and narrowband noise. Journal of the Acoustical Society of America, 129, 1-4. |
 | Turgeon, M., Taylor, L.W., & Wing, A.M. (2011). Timing and Aging: Slowing of fastest regular tapping rate with preserved timing error detection and correction. Psychology and Aging, 26, 150-161. |
 | Turgeon, M., Bregman, A.S., & Roberts, B. (2005). Rhythmic masking release: effects of asynchrony, temporal overlap, harmonic relations, and source separation on cross-spectral grouping. Journal of Experimental Psychology: Human Perception & Performance, 31, 939-953. |
 | Praamstra, P. ,Turgeon, M., Hesse, C.W., Wing, A.M., & Perryer, L. (2003). Neurophysiological Correlates of Error Correction in Sensorimotor-Synchronization. NeuroImage , 40, 1283-1297. |
 | Turgeon, M., Bregman, A.S., & Ahad, P. A. (2002). Rhythmic masking release: contribution of cues for perceptual organization to the cross-spectral fusion of concurrent narrow-band noises. Journal of the Acoustical Society of America, 111, 1819-1831. |
| Turgeon, M. & Bregman, A.S. (2000). 'Ambiguous Musical Figures': Competition between sequential grouping by virtue of a common pitch and sound-source location and simultaneous grouping by virtue of a common fundamental frequency or temporal structure. Chapter in R. Zatorre & I. Peretz (eds.): Biological Foundations of Music. New York: New York Academy of Sciences. |
 | Cisek, P. & Turgeon, M. (1999). 'Binding through the fovea': A tale of perception in the service of action. Psyche: An interdisciplinary journal of research on consciousness, 5, Available online at: http://psyche.cs.monash.edu.au/v5/psyche-5-34-cisek.html. |
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